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Getting A Flat (Flat Seven That Is)

In the last column, we looked at six different chords that you can use as a songwriter to start your chorus. There are actually seven standard chords that are part of every key in which you may be writing a song. However the seventh chord, in its standard form, is not often found in most songs. But there is a variation of this seven chord called the flat seven (or flatted seventh) chord which does turn up in many hit songs.

Formation of the Flat Seven Chord.  The flat seven chord is formed by first determining the seventh note of the scale of the key in which you are writing your song. Lower this note by a half-step (also known as "flatting" the note) and you have the flat seven. For example, in the key of C, the flat seven would be a Bb chord. In the key of G, the flat seven chord would be an F major chord.

How It's Used.  The flat seven is generally used in one of two ways.  First, the flat seven chord can also be used as a "surprise" chord, where you set the listener up to hear a certain chord, but give them the flat seven chord instead as a "surprise". This is how Jimmy Webb first popularized the use of the flat seven chord (in fact, the flat seven chord is also known as the Jimmy Webb 7th). The bridge in the grammy winning song "Beauty and the Beast" (songwriter - Menken/Ashman) uses the flat seven as a surprise chord, as does the recent Vanessa Williams/Brian McKnight #1 hit "Love Is" (songwriter - Tonio K/J. Keller). Second, it can be used as part of the motif chord progression in a particular section of your song. The bridge in the hit song "Money In The Bank" (songwriter - J. Jarrard/M. Sanders/B. DePiero) starts on the flat seven chord and the Faith Hill hit "This Kiss" (songwriter - R. Lerner/B. Chapman/A. Roboff) uses the flat seven chord in the verse chord progression.

An example:  Let's say you are writing a song in the key of C and have the following chord progression for the verse (1 chord per measure):

One way to surprise the listener would be to play a flat seven chord (Bb) instead of the F chord in the seventh measure. Another way to surprise the listener would be to play the Bb chord in the 8th measure after the F chord, and use an extra measure for the G chord.

So the next time you're looking for a little different twist on an old progression or just a different chord to start that chorus or bridge on, don't overlook the flat seven chord - it's really pretty sharp (sorry, I couldn't resist).

Hope to see you on the charts.

Danny

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